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Ephemeral, symbolic, steeped deep in legend and myth, rainbows still create a sense of inspiring mystery and awe. Taking three personal references from shared childhood remembrances, this video piece is a melancholic ode to the untouchable bow with no arrow (with references to Indradhanush* and Rongdhonu*). You may experience a persistence of vision and sound, and different people may see variations of the same colour (as explained below). Best listened to in stereo / headphones.nnScreened at Lo

Pollyanna & The Rainbow Paradox

⏲ 1 min 73 sec ✓ 18-Aug-2013

Anupam Movie Songs

Duti Mone | দুটি মনে লেগে গেছে জোড়া | HD | Shabnur & Shakib Khan | Andrew & Kanak | Golam | Anupam

⏲ 5 minutes 20 seconds 👁 27M

Kishor Kumar Bangla

অসাধারণ কিছু গান কিশোর কুমার | Kishore Kumar Duets Song | Bengali Movie Song | Bangla Old Song

⏲ 45 minutes 26 seconds 👁 13.9K

Kumkum Bhagya 2nd May 2024 Today Full Episode from www bangla moves song

Kumkum Bhagya 2nd May 2024 Today Full Episode

⏲ 24:47 👁 4.9M

Anupam Movie Songs

Porena Chokher Polok | পড়েনা চোখের পলক | Riaz & Ravina |Andrew | Praner Cheye Priyo | Anupam

⏲ 6 minutes 👁 27.8M

CD PLUS Entertainment

Khairun Lo | খায়রুন লো | Moushumi | Momtaz | Polash | Khairun Sundori | Bangla Movie Song

⏲ 3 minutes 57 seconds 👁 91.6M

The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib

Krishna Vrinda Vihari _ Full Movie _ Romantic Love Story _ Naga Shaurya, Shirley Setia

⏲ 2:18:48 👁 280K

CD PLUS Entertainment

Best Of Shabnur | Bangla Movie Songs | Vol 1 | 5 Superhit Movie Video Songs

⏲ 23 minutes 42 seconds 👁 1.6M

Angel Bengali Songs

Tomari Chalar Pathe | Ekanta Apan | Bengali Movie Song | Asha Bhosle

⏲ 3 minutes 50 seconds 👁 4.7M

A ten minute segment of the 18-minute two-channel audio piece, Voglio Andare alla Biennale, installed in the Polveriera Francese of the Forte Marghera in Venice, Italy during the Helicotrema Recorded Audio Festival, September 25-27, 2015. http://www.voglioandare.org/nnVoglio andare alla Biennale (I want to go to the Biennial)nNaeem Mohaiemen / Paris FurstnSound installation, 2015nnVisitors to this year’s 56th Venice Biennale (“All The World’s Futures,” curated by Okwui Enwezor) may have

⏲ 6 min 4 sec ✓ 01-Oct-2015

Angel Bengali Songs

Prithibi Hariye Gelo | Guru Dakshina | Bengali Movie Song | Mohammed Aziz

⏲ 5 minutes 12 seconds 👁 37.3M

ABP ANANDA

ABP Ananda LIVE:ভোটের মাঝেই ওসি অপসারণ | বহুতলে বিধ্বংসী আগুন | যোগ্যদের পাশে প্রধানমন্ত্রী

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