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guitar chord e minor Videos
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Lesson 3: Songbird Guitar Lesson
⏲ 1 min 73 sec ✓ 12-May-2020
CHORD GROUPF, Bb, Crelative minor D with the chordboss. Theme song written with the chordboss
⏲ 2 min 28 sec ✓ 22-May-2016
Icarus | D-A-D-G-B-C | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Intro clip of my guitar tutorial #033
⏲ 59 sec ✓ 25-Jan-2019
Ghost Reveries | D-A-D-F-A-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Yvette’s Dadd9 | D-A-D-F#-A-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Dm Chord
⏲ 3 min 18 sec ✓ 28-Oct-2021
All Minor Thirds | G-Bb-Db-E-G-Bb | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
Guitar Genius Beginner Guitar Course: Lesson 2 Chord Charts and the E Minor Chord
⏲ 3 min 31 sec ✓ 11-Nov-2019
All Perfect Fourths | E-A-D-G-C-F | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
Open Dsus (‘DADGAD’) | D-A-D-G-A-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
Open Gsus (‘Sawmill’) | D-G-D-G-C-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
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_lesson-3-songbird-guitar-lesson.webp "In this lesson we look at the Oasis classic Songbird, the song features 2 chords we have covered in our previous video G and E minor.nnPay careful attention to the strumming pattern in the video.If you need a reminder of the chord positions, I have put them below.nnTo play G Chord:nn- First finger on the 2nd fret of the A (5th) stringn- Middle finger on the 3rd fret of the low E (6th) stringn- Third finger on the 3rd fret of the E (1st) stringnnStrum all 6 strings.nnTo play E Minor (Em) Chord:")
_chord-group-f-bb-c-relative-minor-d-with-the-chordboss-theme-song-written-with-the-chordboss.webp "The Chordboss was originally invented for people with hand disabilities but has become a great tool for the public in general to learn and play the guitar. There are two (what you could call)")
_icarus-124-d-a-d-g-b-c-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/icarus/ | “Brings a mystical, floating resonance, resulting from the presence of four ‘clustered’ scale tones (4-5-6-b7 on 3-5-2-1str). Its intervals get progressively narrower as you rise in pitch (7/5/5/4/1), ending with a minor 2nd interval (2/1str) – a rare feature in the wide world of altered tunings. Use this harmonic shuffle to summon harp-like melodies and ambiguous chord suspensions. Almost like a ‘mirror flip’ of the classic")
_intro-clip-of-my-guitar-tutorial-033.webp "Just in case you wonder what strange stuff I’m playing in the intro clip, I’m improvising over a G melodic minor chord progression that evolves into E Aeolian / B HM5 (Phrygian dominant).nnWatch full tutorial here:nhttps://youtu.be/qAQQZKJZWNs")
_ghost-reveries-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ghost-reveries/ | “A spacious Open Dm variant, which retains Standard’s E1str tone to give a minor 9th open harmony. Great for chord voicings which combine intricate high extensions with robust bass structures – with note-shuffling added by the tuning’s irregular interval sequence (a 4th, min. 3rd, and a maj. 3rd, sandwiched by two 5ths). Hear how the tighter 1str stands out. Like its major counterpart (D-A-D-F#-A-E: Yvette’s Dadd9), thi")
_yvettes-dadd9-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/yvette/ | “A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7/5/4/3: 5th / 4th / maj. 3rd / min. 3rd) – until you encounter the unexpectedly wide 5th jump at the very top (2-1str). This layout retains many of the Open D family’s strengths – including one-finger power c")
_dm-chord.webp "The D minor chord on guitar has a lot of high end notes (treble) as when playing the chord you skip the top two strings. This means when you play it your first note is on the D string. What you can do with it is awesome - try hitting it with an upstroke when strumming to really push the high strings. This chord also sits in the key of C/ Am so you can pair it with the A minor chord and the E minor chord. You can pick up those lessons at https://7minutemusic.com/rhythm/level-1/open-a-minor-chord/")
_all-minor-thirds-124-g-bb-db-e-g-bb-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-minor-thirds/ | “A ‘regular’ stack of minor 3rds (i.e. 3 semitones separate each string) – forming a diminished 7th arpeggio regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides neatly into 3 with no remainder – meaning that sequences of 3 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e. ‘12 semitones=3")
_guitar-genius-beginner-guitar-course-lesson-2-chord-charts-and-the-e-minor-chord.webp "In this lesson we will be learning how to read chord diagrams. We will then use this new knowledge to learn our first chord, the E minor chord.")
_all-perfect-fourths-124-e-a-d-g-c-f-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-fourths/ | “A ‘regular’ stack of perfect 4ths (also a Dmin11 arpeggio). Kind of like Standard‘s more logical cousin – the ‘odd one out’ gap between 3-2str is eliminated, simplifying the fretboard’s geometry. Great for quartal voicings, and the C & F open tones are useful for common keys too. Guitarists arrive here from many different angles: when tuning his first guitar, an 11-year-old Stanley Jordan jumped ahead while read")
_open-dsus-dadgad-124-d-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/dadgad/ | “Resembles a Standard-tuned ‘0-2-2-2-0-0’ Esus4 shape in terms of interval structure. Neither major nor minor, DADGAD’s ambiguous open-chord resonance offers up incredible versatility, ideal for exploring the musical variety of many global traditions. Regardless of what you play, there’s always a certain fundamental stability to the tuning’s character, partly arising from an abundance of parallel octaves (6/4/1str=D, 5/2str=A")
_open-gsus-sawmill-124-d-g-d-g-c-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-gsus/ | “Resembles a Standard-tuned ‘0-0-2-2-3-0’ Asus4 chord shape in terms of interval structure, giving an open, balanced sound (a sus4 is essentially ‘a root + the perfect 5ths above & below it’). Note the narrow maj 2nd interval at the top (2-1str) – useful for ‘cluster’ chord voicings and dropping open-string ‘unison tones’ into your melodising. Nicknamed ‘Sawmill’ after the ‘g-D-G-C-D’ tuning of old-time")
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