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CHRISTINA AGUILERA — Beautiful (Encore) | From Christina Aguilera — Stripped (Live In The U.K.) | Christina's first-ever live release, filmed at sold-out Wembley Arena in London <br/>Artist: Christina Aguilera <br/><br/>Title: Beautiful (Encore) <br/><br/>Written and Composed by Linda Perry <br/>Published by Stuck In The Throat/Famous Music Corp. (ASCAP) <br/><br/>Additional Musical Interludes, Arrangements by Robert Lewis <br/><br/>DVD ~ Christina Aguilera - Stripped (Live In The U.K.)<br/>Christina's first-ever live release, filmed at sold-out Wembley Arena in London<br/>Release date: 8 November, 2004<br/>82876 580009<br/>Executive Producer: Christina Aguilera<br/>Director: Julia Knowles<br/>Producer: Sharon Ali<br/>Executive Producer Christina Aguilera <br/>Musical Director / Keyboards - Robert Lewis<br/>Bass - Ethan Farmer<br/>Guitar - Michael Herring<br/>Drums - Brian Frasier-Moore<br/>Percussion - Ray Yslas<br/>Vocalists - Charlean Hines, Traci Nelson, Brandon Rogers<br/>Mixed by Chris Lord-Alge <br/>at Image Recording Studios<br/>Dancers <br/>Tiana Brown, Erin Hernandez, Paul Kirkland, Leo Moctezuma, Gilberto Saldivar, Telisha Shaw, Monique Slaughter, Marcel Wilson <br/>Post Production Audio Supervisors - Toby Alington, Tony Blanc<br/>RCA Records International - Tim Delaney, John Volgtmann<br/>DD Dolby Digital 5.1<br/>PAL<br/>The RCA Records Label is a Unit of BMG<br/>Distributed by the local BMG company. All trademarks and logos are protected. <br/>RCA is a registered trademark of RCA trademark Management.<br/>Made in the EU. <br/>Dolby and DD are trademarks of Dolby Laboratories, Inc.<br/>RCA<br/>BMG <br/>LC 00316<br/>Studio: Sony Music Entertainment Germany<br/>Media Format: PAL, DVD-Video<br/>Freigegeben ohne Altersbeschränkung gemäß § 14 JuSchG FSK<br/>Approximate Running Time: 5:54

CHRISTINA AGUILERA — Beautiful (Encore) | From Christina Aguilera — Stripped (Live In The U.K.) | Christina's first-ever live release, filmed at sold-out Wembley Arena in London

⏲ 5:54 👁 25K

Vibe Music

Sean Kingston - Beautiful Girls (Lyrics)

⏲ 4 minutes 6 seconds 👁 565.4K

7clouds

Sean Kingston - Beautiful Girls (Lyrics)

⏲ 4 minutes 2 seconds 👁 2.8M

⁣Alonzo Mann's testimony describes his experience when he appeared on the front page of the Atlanta Constitution in February 1978. He and his father noticed some inaccuracies in the article about Mary Phagan and felt it necessary to convey their opinion to the author. John Phagan Durham, son of Lizzie Mary Etta Phagan, went to Atlanta Constitutional Editor-in-Chief Sears and requested that the article be deleted. Mr. Sears replied that he could not stop the article, and that if the article offended the Phagans, he would apologize, and if it was factually wrong, he would correct it. John Phagan-Durham told Sears he would not make corrections because he was confident that the series had made the front page and corrections would not make it to the front page. The series renewed interest in the assassination of Little Mary Phagan and its aftermath. People wanted to know more about the trial and the lynching, and whether anyone from Phagan was involved in the lynching. Alonzo Mann became more eloquent about the incident. Bernard and the narrator had never heard of young Mary Phagan, but one night Bernard told them that a girl named after the narrator had been murdered. The narrator tells him what happened and why the Phagan family has remained silent. Bernard and the narrator drive to Marietta to visit Mary's grave. The cemetery was located in a wealthy area of the cemetery and had a marble headstone bearing her name and an inscription written by Tom Watson. The narrator quickly memorized the inscription and took a picture of Maria for scrapbooking. A middle-aged couple approached the narrator and asked if he knew where Little Mary Phagan's grave was. Her newspaper article rekindled interest in her, and the narrator was impressed by her relatives' refusal to seek public attention and their desire to remain anonymous. That year, 1978, was a year full of beginnings and innovations for the narrator, including when her father contacted a reporter to acknowledge her relationship with Mary for the first time. A few days after the accident, the narrator decides to check on the elderly woman who hit her car and see if she has filed insurance papers. As she opens the door, the narrator explains that it was she who was involved in the accident and is checking to see if she has filed her insurance papers. The narrator meets a woman who is blind and deaf and needs help filling out her form. She asked the narrator if they were related to Little Mary Phagan, and the narrator filled out her paperwork and read it through her magnifying glass. The woman then asked the narrator if she was related to Little Mary Phagan, to which she replied that the narrator was. Her wife then told the narrator about her life at the time and the changes she had undergone in her 92 years. The narrator had a great time and was invited to lunch with the lady. Her lady found the narrator listening to herself carefully, and the next day the narrator again received an invitation to lunch.<br/><br/>

The murder of little Mary Phagan - Vanessa Neubauer - Part 10 of 13

⏲ 37:43 👁 10K

Cu si Despre Masini

Ce este noul RENAULT SYMBIOZ!? Un fel de Captur mai mare?

⏲ 18 minutes 👁 3K

Tenby-born artist Rachel Rasmussen is looking forward to staging her first ever debut solo exhibition in Tenby at the seaside town’s Museum and Art Gallery. <br/>Daughter to Christine and Peter Brown, Rachel’s inspiration started at school. She invites her old art teachers from Ysgol Greenhill and St Teilos, and any others who knew her growing up as a child, to the exhibition, on display from May 3 to June 16.<br/>“I’m so excited to finally share my artwork in such a professional platform, in a beautiful historic spot, Tenby Museum and Art Gallery,” said Rachel. <br/>“I visited the museum many times as a child; overlooked the best beach I played on every summer growing up. We’d run from school straight to the beach and if it started raining we’d either run to the Dennis cafe or take a trip to the museum. <br/>“It’s so nice to finally hold a special exhibition in such a special place. That’s why it’s called ‘Tenby Treasures, Nostalgic Brushstrokes’.”<br/>‘Tenby Treasures: Nostalgic Brushstrokes’ will mark Rachel’s first solo exhibition in her home town of Tenby.<br/>Rachel’s work is a reflection of what she loves most about nature. Painting seascapes and landscapes, capturing dramatic skies, evocative reflections with attention to detail. Recently, painting pebbles has become a trademark of hers.<br/>Rachel, who was born and brought up in Tenby, Pembrokeshire, became a self-taught artist at an early age. Drawing from the beauty on her doorstep, Rachel loves to paint the South Wales coastline. She hopes to create a feeling of nostalgia for those who view her work.<br/>Rachel now resides in Cardiff, with her husband and four children. As well as being a full-time mother, she chases spare time painting, teaching classes and exhibiting her work. She took part in the Channel 5 series Watercolour Challenge. Last Christmas she returned to Tenby to hold two paint-along sessions, one for adults and one for the whole family.<br/>You can meet Rachel and talk about her work at the preview evening, May 11, 6-7pm.

Artist Rachel Rasmussen prepares for Tenby Museum exhibition

⏲ 1:26 👁 95K

**Tum Hi Ho - Aashiqui 2 | Instrumental Cover** <br/><br/>Immerse yourself in the soul-stirring magic of \

Tum Hi HoAashiqui 2Instrumental Cover tumhiho instrumentalmusic viral slowedandreverb_1080p

⏲ 5:3 👁 25K

Feriha does not forgive the Emir!<br/><br/>Emir, whose hands are tied with regret, asks for help from Koray, although he does not know what to do. While Koray and Gülsüm take Feriha to their house, Emir vargücü tries to apologize to Feriha, but Feriha doesn't even feel ready to see her yet. In the doorman's apartment, the subject is nothing but Feriha's crumbling marriage. Rıza, who does not want to deal with Feriha openly, is uneasy about Feriha leaving her house and assigns Hatice to call on her daughter to return to her husband. However, Hatice and Seher's visit, aside from making Feriha return to Emir's side, pushes Feriha to question her family and family values. Realizing that she is completely alone with her family's attitude, Feriha leaves all Emir's struggles unrequited with all her heartbreak and settles in a student dormitory. While Emir is taking all the opportunities to talk to Feriha, the first hearing of the case opened by Ünal to the Yılmaz family is going to be eventful. However, the real big event that everyone is unaware of is waiting for its turn to appear.<br/><br/>Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık<br/>

You Can End Us With Two Words - The Girl Named Feriha

⏲ 4:12 👁 10K

Walt Disney, a name synonymous with creativity and innovation, transformed entertainment. Great Big Beautiful Tomorrow reveals Disney as a pioneer, not just in animation but in the realm of futurism. From the first sync sound animation in 1928 to the concept of EPCOT, his ideas were ahead of their time.

Great Big Beautiful Tomorrow: The Futurism of Walt Disney (2016)

⏲ 1:41:20 👁 5K

The Leo Frank case was convened in a temporary Atlanta courtroom on July 28, 1913, with 250 seats and 20 officers guarding the courtroom. The jurors, all white men and Atlanta residents, were chosen within 3 hours of the first morning of the trial. The defense used 18 of its 20 strikes without a cause while the prosecution used seven of the ten allowed. The twelve jurors were C.J. Bashard Pressman, I Hensley, Buggy Company, J. F. Higdon Building Contractor, Jefferies - Real Estate, Johenning Shipping Clerk, WF Medcalf Mailer, J.T. Osborne, Optician, Frederick V. L. Smith paying teller, D. Townsend paying teller, F.A. Windburn Railroad Claims agent, Al Weizby Cashier, M. S. Woodward - Cashier, King - Hardware. The Chief prosecutor, solicitor General Hugh A. Dorsey, was handsome and forceful, assisted by Frank Arthur Hooper and Edward A. Stevens. The defense was defended by Atlanta's two well known trial lawyers Special Assistant Solicitor Hooper described the State's case against Leo Frank, who was accused of premeditated rape of Mary Phagan. He alleged that Frank had seduced and taken liberties with other young factory girls and had made unsuccessful advances to Mary Phagan. Several surviving family members have said that Frank harassed Mary Phagan and that she went home and told her mother several former National Pencil Company employees have also alleged that they heard Frank sexually harass Mary Phagan.<br/><br/>The state argued that Frank was alone in the office, gave Mary Phagan her pay envelope, then followed Mary to the medal room and made sexual overtures to her. He then strangled her and gave Conley $2.50 and then $200, but later had Conley return the money. Hooper singled out the expected testimony of Monteen Stover, who he claimed would contradict Frank's contention that he had been in his office continuously from 12:00 p.m. Mrs. J. W. Coleman, the mother of Mary Phagan, testified that she last saw her daughter alive on April 26, 1913. A court officer drew forth a suitcase and lifted out the dress and shoes that Mary Phagan had worn when she last saw her.<br/><br/>Fanny Phagan Coleman identified the clothing of her murdered daughter by covering her eyes with a palm fan and sobbing. At that time, few women attended court trials except for those related to the victim or the defendant. Fanny Phagan Coleman and Ali May Phagan attended the trial, as well as Lucille Selig Frank, Frank's wife, and Mrs. Ray Frank, his mother. When asked for her thoughts by a reporter for the Atlanta Journal, Fanny Phagan Coleman said she would rather not talk about it. This silence caused the rest of the Phagan family not to speak of the trial for the next 70 years.<br/><br/>⁣The narrator went out of the door and stayed until four minutes to six. When he returned, the doors were unlocked and the narrator went to Mr. Frank to change the slip. It took him twice as long as the other times he saw him fix it.<br/><br/>

The murder of little Mary Phagan - Vanessa Neubauer - Part 4 of 13

⏲ 1:20:52 👁 5K

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