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Piano Classroom
Piano Classroom
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_how-to-play-the-piano-finding-the-bb-b-flat-chord.webp "pianofooler")
_all-perfect-fifths-124-a-e-b-f-c-g-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-fifths/ | “In many ways, tuning to a cycle of perfect 5ths is a very logical approach. After all, much of the modern world’s music is constructed via stacks of 5ths – an interval which enjoys natural prominence as the first non-root overtone in the harmonic series (overtone #3 = 1902 cents above the fundamental, a.k.a. a ‘tritave’). Also, mini-stacks of 5ths (i.e. runs of ‘7/7’ intervals) are among the most common tuning patterns")
_how-to-play-bb-chord-on-piano.webp "Piano Lessons Info")
_how-to-play-bb-major-7-bbmaj7-chord-on-piano.webp "Easy Musicality")
_b-flat-major-chord-piano-lesson.webp "Piano Classroom")
_how-to-play-a-bb-major-chord-on-piano-left-hand.webp "Brent Henderson")
_all-minor-thirds-124-g-bb-db-e-g-bb-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-minor-thirds/ | “A ‘regular’ stack of minor 3rds (i.e. 3 semitones separate each string) – forming a diminished 7th arpeggio regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides neatly into 3 with no remainder – meaning that sequences of 3 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e. ‘12 semitones=3")
_bb-chord-piano-how-to-play-bb-major-chord-on-the-piano-or-keyboard.webp "easychords123")
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